1）偏立時(shí)的復(fù)雜關(guān)聯(lián)是用虛線(xiàn)所表示的人體直立的標(biāo)準(zhǔn)形態(tài)。實(shí)線(xiàn)表示偏立的姿勢(shì)。這種偏立是體重移至左腳形成幾乎僅用左腳支撐的狀態(tài)，右腳挪出成輔助的空閑狀態(tài)。這種狀態(tài)下，如下的部位發(fā)生變化。
下半身骨盆傾斜首先，體重移至左腳上，骨盆以左股關(guān)節(jié)為軸， 朝右下方傾斜至 。結(jié)果左臀部呈朝外側(cè)突出的狀態(tài)。同時(shí)，也受牽動(dòng)而朝 傾斜。膝蓋（點(diǎn)也移至 )"而傾斜。胸腰部彎曲 相應(yīng)于下半身的偏移，胸腰部朝立腳側(cè)彎曲，以取得平衡。
肩部反向傾斜 因肩部搭在立腳側(cè)，與下半身相反，左肩肩端, 下降至 ，結(jié)果右肩 呈上突的狀態(tài)。頭部與肩部反向傾斜相當(dāng)于肩部的傾斜，頭頸部朝 眼窩傾斜，而取得自然的平衡。
這樣，可以理解在左立腳上，臀部、胸腰部、肩部、頭頸部各個(gè)部分交替傾斜、呈緊密關(guān)聯(lián)著的樣子。
正中線(xiàn)呈曲勢(shì)正中線(xiàn)和相比較，從曲勢(shì)上可以更加明白有機(jī)的關(guān)聯(lián)性。這時(shí)的 正中線(xiàn)與人體側(cè)面曲勢(shì)線(xiàn)一樣呈緩和的反 狀。正中線(xiàn)所呈現(xiàn)的一定的韻律曲勢(shì)，足以說(shuō)明人體的有機(jī)關(guān)聯(lián)性的強(qiáng)烈程度。
2）具有美感的偏立姿勢(shì) 這種偏立有機(jī)關(guān)聯(lián)性強(qiáng)的形態(tài)，因?yàn)樽匀坏匕殡S著動(dòng)勢(shì)感、柔軟感等等，所以與直立人體硬直的無(wú)機(jī)形態(tài)相比較，具有更高的美的價(jià)值。
從這個(gè)意義上，典型的男性像的例子有，米開(kāi)朗基羅大衛(wèi)像。此外在古希臘的雕塑、日著名的佛像中也時(shí)有見(jiàn)到。這樣的有機(jī)形態(tài)，在構(gòu)造上、生理上及在日常生活中是經(jīng)常見(jiàn)到的。因此，在服裝的造型方面或者著裝方面當(dāng)然就成了值得研究的問(wèn)題。
1) partial complex is the standard form of human association immediately expressed the vertical dotted line. The solid line shows the partial standing posture.
This is the side of the body weight moved to the left foot only to support the formation of a state with a left foot, the right foot to move out of the auxiliary idle state. In this state, the following site changes.
The lower part of the pelvis tilt, first, the weight of the left foot, the pelvis to the left femoral joint for the axis, to the lower right side of the tilt to.
Results the left hip was in a prominent state. At the same time, it is also affected by the tilt. Knee (the point is also moved) and tilted. The chest waist bending offset corresponding to the lower body, chest and waist toward the base side bending, in order to achieve a balance.
The reverse tilt due to a shoulder resting on the base side, opposite to the lower body, left shoulder end, down to a sudden state of the right shoulder. Head and shoulders backward inclined corresponds to the shoulder, head and neck in orbital tilt, and achieve the balance of nature.
In this way, can be understood in the left leg, hip, chest waist, shoulders, head and neck in each part of the tilt, the appearance of a closely related.
The median line is the curve of the midline and the comparison, from the curve can be more clearly understand the relevance of organic. At this time the central line and the human body side curve is the same as the reverse of the reverse. A certain rhythm curve, which is presented by the midline, is sufficient to explain the strong degree of the organic connection of the human body.
2) partial vertical posture of this partial vertical forms of organic strong connection with a sense of beauty, because naturally with force sense, soft feeling and so on, and so the body erect stiff inorganic forms compared with higher value of beauty.
In this sense, the typical male like example has, like the Michelangelo david. In addition to the ancient Greek sculpture, the day of the famous Buddha also seen. Such an organic form, which is often seen in structure, physiology, and in everyday life. Therefore, in the form of clothing or clothing, of course, it has become a problem worthy of study.
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